mageau:
melanesian marks.
Rencontrez Julia.
Julia Mageau Gray marque la peau depuis 2013 et s'est tournée vers cette forme d'art après de nombreuses années en tant que praticienne de la danse, chorégraphe et directrice de Sunameke Productions.
C'est son rôle de réalisatrice du documentaire en trois parties de Sunameke Productions, Tep Tok : Reading Between Our Lines, et le voyage de sensibilisation à cette forme d'art en voie de disparition qui l'ont amenée à un nouveau rôle d'artiste du marquage cutané.
Elle utilise la méthode « Hand Poke » et « Hand Tap » pour fabriquer de la peau et a été enseignée par un certain nombre d'artistes tatoueurs pasifika, à savoir Tihoti Mataura, Pat Morrow et Croc Tatau.
the team.
Introducing the Melanesian Marks team.
montre.
processus.
1
"As is my process...
before I mark someone; I look at the body as a whole and as our women did before us, choose where and what to be marked on the body.
Normally Papua New Guinean women bring their familial designs. It's a collaborative process where we talk and decide together; today’s world is highly focused on the 'I' as opposed to our old Pasifika way which I feel focused on the 'we'. The consultation process is a safe zone where myself and the person to be marked can have these discussions". - Julia
2
Talk with Julia.
Julia designs the marks and works out placement after speaking with you and getting to know your story. It's a personal, collaborative and open process. At the end of the consult you decide whether you wish to go ahead. Julia designs with Melanesian based patterns.
3
Make marks.
The designs are drawn freehand upon skin, the placement of the marks previously discussed during the first consult. Once the drawing is complete the marking begins. Each session can lasts up to 6 hrs, with Julia.
Julia with Vasa as stretcher, marks the skin using the hand tapping and hand poke method.
4
Bespoke and Familial designs.
Familial marks are designs that are from an individuals family. In Papua New Guinea these designs belong to the individuals family and is passed down. In Fiji familial designs often come from masi.
Bespoke marks are designed by Julia for the individual based on the consult and shared conversations. It is a collaborative process.
5
Frequently shared information.
These marks are about marking transitions in an individual life.
In the past, in parts of central province, PNG most young girls were marked at different stages of their lives centred around the changes in puberty. In todays world we often mark the different stages of an individuals journey of decolonisation.
Whether the marks are bespoke or familial each mark is designed to fit the body. The familial designs may be the same but they way in which they are placed and where they are placed are decided upon during the drawing of the marks in the beginning of the sessions. This can sometimes be a quick reveal or a longer discovery. On the part of the individual it is a vulnerable time as the mark placement is decided upon in the session and not before hand.
The traditional use of lemon thorns is not offered as hygiene has prompted us to use modern day tattoo needles. Our developed hand tap tool style is practical and functional using wooden handles and stainless steel needles. We use uv light sterilisers and all of our needles are one use only.
réservations.
Expression d'intérêt - veuillez nous envoyer un e-mail